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Streets: Hush (Los Angeles)

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Last we heard, Hush (interviewed) was in Melbourne for a solo showing in May of 2012 (covered). Fast forward a year and this time he will be opening an exhibition tomorrow night at the Corey Helford Gallery. While here, he just finished a mural at the Branded Arts Building featuring his East meets West urban aesthetic. We'll have more about the show soon, but for now, take a look at more in-progress photos below... Photo credit: Theonepointeight. Discuss Hush here.

Streets: Escif (Spain)

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After giving you an overview of Escif's work recently, we have another mural to share with you from the Spanish street muralist. Entitled The Enlightened Vandalism, the massive wall is located in Villarreal and features a masked figure engaging in various illegal activities and acrobatic maneuvers in a repeating composition that is often characteristic of Escif's work. Take a further look at the sweet details below... Discuss Escif here.

Overtime: May 13 – May 19

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More stories from the week ended May 19:
  • New Yorkers upset over neighbor Arne Svenson's photos taken through windows for art exhibit.
  • Chinese authorities begin demolishing ancient capital of Lhasa to transform city into a tourist destination.
  • Construction company destroys one of Belize's largest Mayan pyramids to extract crushed rock for project.
  • RIP: Thomas M. Messer, longtime director of the Guggenheim Museum, who died at the age of 93.
  • British police interrupt stunt by Voina on London Tower Bridge.
  • Activists occupy Budapest’s Ludwig Museum protesting the removal of museum director Barnabas Bencsik.
  • Real punks gather to protest The Met's "inauthentic" punk exhibit.
  • Some paintings attributed to Johannes Vermeer may actually be the work of his daughter, Maria.
  • Criminals are increasingly using artwork to launder money.
  • Beloved Beatles mural painted over in New York due to filming for Liam Neeson movie.
  • A profile of art crime in the US and those that track and solve them.
  • Six lots of Egyptian material had to be withdrawn before Christie’s sale because they were suspected looted.
  • Poland's culture minister Bogdan Zdrojewski seeks return of art seized by Soviet Russia in 1945.
  • Cambodia asking museums to examine Khmer antiquities acquired after 1970 and requesting possible return.
  • Ai Weiwei's hair cutting skills criticized.
  • Ai Weiwei unveils map of China made from baby formula tins, in response to fears surrounding milk safety.
  • Anish Kapoor feels that Britain is fucked in terms of its respect towards art and artists.
  • Cooper Union occupation enters its second week.
  • Arizona man find himself jailed, unemployed, and homeless after photographing courthouse.
  • France considering smartphone, tablet, and other net-connecting devices tax to fund cultural content.
  • Germany's dealers and country’s culture minister oppose 12% tax hike on purchase of original works of art.
  • Interpol targets Qaddafi family treasures and artwork is high on the list.
  • MOCA architecture show opening pushed back two weeks, to June 16.
  • Hirshhorn Museum’s proposed “Bubble” project would operate at loss in every scenario examined in report.
  • Controversy erupts again as Banksy's Slave Labour removed street mural reappears for sale.
  • Georg Baselitz in trouble with German tax authorities due to being in list of clients of Swiss bank UBS.
  • Fascinating article about the Warhol Foundation and the Warhol Art Authentication Board and its dealings.
  • Damien Hirst spent his Turner Prize winnings of £20,000 on drinks at the bar that night.
  • Leonardo DiCaprio raises about $39 million for wildlife conservation at his Christie's benefit art auction.
  • Peter Doig denies painting a work that is attributed to him, but admits to taking LSD as a youth.
  • Mao photo taken by his wife sells for $55,300 at auction.
  • Dasha Zhukova, Mike Bloomberg introduce Circle, an art-tech symposium to be held in St. Petersburg.
  • The Vatican's plans for its Venice Biennale pavilion.
  • Countries that are struggling financially still spending heavily on their Venice Biennale pavilions.
  • Lost paintings by Mary Beale, Britain's first professional female artist, goes on view at Tate.
  • Artwork now exhibited at London Tower.
  • Museums today are increasingly loosening their camera policy due to ubiquity of camera phones.
  • The multiple locations of Edward Hopper’s Nighthawks, revealed.
  • Art Ltd. Magazine puts its spotlight on the Laguna Beach art scene.
  • Profile of Jersey City's Mana Contemporary.
  • The 2013 Calder Prize will be awarded to Darren Bader.
  • Stan Douglas wins annual Scotiabank Photography Award that includes a $50,000 cash prize.
  • Damon Dash exhibits artwork by kids at his gallery.
  • Andrew Lamberty buys Stik garage door, thinking he is the next Banksy.
  • Kenny Schachter's Frieze Week NYC diary.
  • Ben Davis on Jeff Koons's exhibition at David Zwirner.
  • Roberta Smith reviews recent showings by Paul McCarthy and Jeff Koons.
  • Vanity Fair interviews Tracey Emin.
  • Tiny Showcase released a papercut with print backing by Saelee Oh.
  • Chris Brown's neighbor defends the graffiti mural on his house.
  • An interview with ESPO.
  • LA Taco talks to Hanksy.
  • A visit to Travis Millard's cabin by The Hundreds.
  • A look at the Easter Island exhibition from Daniel Arsham at Galerie Perrotin.
  • An interview with Souther Salazar about his current show in New York.
  • Brad Downey was in Moscow.

Rewind: May 13 – May 19

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This week's Rewind's top video focuses on Anish Kapoor and his current show in Berlin at Martin-Gropius-Bau. Along with footage of his first comprehensive showing in the city, an insightful interview with the artist is included. Some other videos worth of attention include:
  • Voina Wanted banner hung off London Tower Bridge.
  • Leo Villareal releasing an edition of his The Bay Lights piece.
  • Ai Weiwei cuts hair during dinner.
  • Taylor Mead's final fifteen minutes.
  • Reactions from actual neighbors from Arne Svenson's photographs.
  • Benedikt Taschen talks with Sebastião Salgado about GENESIS.
  • The London Police prepared for their current show using some child labor.
  • Jo Peel - "Pipe Dreams" - a street mural animation.
  • Travis Millard x The Hundreds collaboration.
  • Cheeming Boey's styrofoam cup art (My Modern Met).
  • Hanksy featured on I Am Other.
http://www.youtube.com/watch?feature=player_embedded&v=S70FwPUhDO4 http://www.youtube.com/watch?feature=player_embedded&v=7rY88MHAEYs http://www.youtube.com/watch?feature=player_embedded&v=89E_16qOQ48 http://www.youtube.com/watch?feature=player_embedded&v=xBuThHvhdS0#at=170 http://www.youtube.com/watch?feature=player_embedded&v=fcYeTwHKui8#! http://www.youtube.com/watch?feature=player_embedded&v=jmaAaRM2Bn0 http://www.youtube.com/watch?feature=player_embedded&v=nHJWgQxTous#! http://vimeo.com/65769296 http://vimeo.com/65767706 http://www.youtube.com/watch?feature=player_embedded&v=I4063sBEaWY http://www.youtube.com/watch?feature=player_embedded&v=qVjFyFnK3N8 http://www.youtube.com/watch?feature=player_embedded&v=_GT1uUhbGZk

Geoff McFetridge @ Walker Art Center

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Earlier this year, artist, animator, and graphic designer Geoff McFetridge visited Minneapolis to speak at the Insights Design Lecture Series 2013 at the Walker Art Center. While there, he also worked on a filmstrip style massive wraparound mural featuring his minimalistic imagery. Watch the video below as he talks about the construction fence installation as well as enjoy some footage of the project. http://www.youtube.com/watch?feature=player_embedded&v=XVZMYvZtALI Via Walker Art Center & Juxtapoz. Discuss Geoff McFetridge here.

Studio Visit: Michael Johansson

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Earlier this year, our EU correspondent Henrik Haven headed over to visit Michael Johansson's studio in Malmø. The Swedish artist was in the midst of preparing for his show Familar Abstractions that just ended at the  Vigeland-Museet in Oslo, Norway (more on this soon). Famous for his hued fabricated cube assemblage made from everyday objects, Johansson's space was understandably organized by careful color coding. Interestingly enough, you can get an idea of his process by seeing the equipment in his studio. Photo credit: Henrik Haven. Discuss Michael Johansson here.

Streets / Contests: Dal East (London) – Part II

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Last week, we gave you a glimpse of what DAL has been up to in London with a look at one of the murals he has been working on. Turns out there was a total of seven walls ranging from small to massive that the South Africa-based muralist blessed with his signature kinetic imagery. Check out all the photos below, and if interested, DAL has launched a contest for those lucky enough to be in London Town. Contestants are asked to find and snap a pic of each mural and then post them to Instagram or Twitter using the #daleastlondon hashtag after registering here first. The first 50 players who finish this dare will be receiving a super limited prize. Discuss DAL here.

Overtime: May 20 – May 26

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More stories from the week ended May 26:
  • John Constable masterpiece, Salisbury Cathedral from the Water Meadows, bought by Tate for £23.1mil.
  • RIP: Cecilia Steinfeldt, known as the First Lady of Texas Art, pass away just a week shy of her 98th birthday.
  • Detroit Institute of Art's multibillion-dollar art collection could face sell-off to satisfy Detroit's creditors
  • Joseph Beuys biography accuses him of having close ties to the Nazis.
  • SplitArt ends in liquidation due to a split between the investors about its direction.
  • Nils Jennrich, German shipper jailed by Chinese for under-reporting artwork values in shipment, returns home.
  • Uriel Landeros, who defaced Picasso painting at the Menil Collection, sentenced to two years in jail.
  • Law enforcement depts participate in seminar that uses readings of artworks to better read crime scenes.
  • Pérez Art Museum Miami receives an anonymous $15 million gift.
  • 2,000 museums nationwide in the US to offer free admission to active duty military personnel during summer.
  • With controversial Hirshhorn Bubble, Smithsonian could break D.C. from cultural stagnation.
  • Paul Schimmel joins gallery world, creating Hauser Wirth & Schimmel in Los Angeles.
  • Zurich selected as host city for Manifesta 11 in 2016.
  • China building museums at a rate of about 100 a year, but getting visitors to attend them is another story.
  • UAE becomes first Arabian Gulf nation to secure permanent pavilion at Venice Biennale for art and architecture.
  • Large scale Sarah Sze commission and Julie Mehretu work acquired by High Museum of Art.
  • Glasgow's Riverside Museum, designed by Zaha Hadid, named European Museum of the Year.
  • Documentary on Levitated Mass will screen June 20 at LACMA's Bing Theater as part of the LA Film Festival.
  • The Museum of the Moving Image in Astoria will soon be home to a permanent exhibit of Jim Henson's work.
  • Sharon Hayes, assistant professor at Cooper Union, wins a 2013 Alpert Award in the Arts, with prize of $75k.
  • Catching up with François Pinault on occasion of his exhibition featuring Rudolf Stingel.
  • Jerry Saltz and Justin Davidson on the restoration of Donald Judd’s loft on 101 Spring St, NYC.
  • The first-ever statue of Pope Francis has been unveiled in a potato field near Naples.
  • 1st ed. of Harry Potter and the Philosopher's Stone, with annotations & drawings by Rowling, sells for £150k.
  • Calligraphy by pornstar Sola Aoi sparks culture war in China. Purists dismissing work after it sells for $95k.
  • Organizers of sale of Banksy's Slave Labour, a mural removed from a London street, hoping it sells for $1mil.
  • Intellectual Property Prints, a screen print company started by Daniel Rolnik and Ryan McIntosh launches.
  • Profile of Massimiliano Gioni, 39, the 2013 Venice Biennale curator.
  • Article about Emily Braun, Leonard Lauder's personal curator.
  • Walter Robinson discusses the studio visit.
  • Ai Weiwei talks about his music video Dumbass.
  • Annie Leibovitz wins Prince of Asturias prize, which includes cash prize of €50,000.
  • James Turrell's skyspaces in Los Angeles-area homes.
  • SAG Art Consulting takes a look at Sara VanDerBeek's show at Metro Pictures.
  • Maurizio Cattelan may have come out of retirement with announcement of a new show.
  • James Franco creates mural in Williamsburg, Brooklyn on occasion of his upcoming film.
  • Ron Wood's newest exhibition, “Ronnie Wood: Raw Instinct,” opens at London’s Castle Fine Art Gallery.
  • Alex Rodriguez's Miami house, which he filled with work by Warhol, Nate Lowman, & others, sells for $30mil.

Streets: Interesni Kazki (Lisbon, Portugal)

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Ukrainian artistic duo, Interesni Kazki, were recently in Lisbon, Portugal, where they did their part for the UnderDogs Project. Famous for their unique fairy tale-like murals, the duo worked on a new street piece, which included their signature bright and poppy color palette. Fully using the space and the structural elements in it, the finished piece Ukrainian artists proved once again their talent and their reputation as one names to watch in street art world today. Aside from working on a new mural, the artists signed their upcoming print release which will be announced soon via UnderDogs, as well as couple of smaller works that will be included in a big group show that will be organized at the end of the year. Discuss Interesni Kazki here.

Interviews: Jim Kazanjian –“Temporary Equilibrium” @ Breeze Block Gallery

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When you first realize that the subject matter within Jim Kazanjian's work doesn't actually exist, you may at first be relieved that such precarious looking locations aren't out there. Your next thought may well be “just how the hell does he do that”? Kazanjian works in photography, but is not a photographer. His tools include the internet for sourcing his library of over 25,000 high resolution images and Photoshop to assemble his impossible architecture compositions. He describes his creative process as hyper-collage. He has a two-person exhibition along with photographer William Hundley featuring his manipulated landscapes entitled Temporary Equilibrium, opening on June 6th at Portland’s Breeze Block Gallery. AM put some questions to Jim to try and understand his process a little better. Jim Kazanjian 6 AM: I understand that you cite H. P. Lovecraft as an influence amongst others and that your background is as a commercial CGI artist. Can you tell us a little about how these things along with your art schooling have led you to arrive at your very distinctive aesthetic? JK: That is difficult to say. It was kind of an amorphous process that developed over a long period of time. Technology plays a big part as well. The way I approach and build my work now was not even possible ten years ago. At its core, though, is my fascination with the sublime, death and the 4th dimension. AM: You’re not a photographer in the traditional sense of the word, but your output is of course photography based. How did you come to be working with your medium of choice? JK: Photography is a really amazing medium. It has this tenuous link with time, through physics, which I think is very potent and misleads us into viewing it as an objective 'document'. I'm interested in using that misconception to generate visual tension in my work. It helps make things resonate. Jim Kazanjian 1 AM: I’ve read before that you don’t use your own photography for the composites that you make. Have you ever found yourself needing just that special detail that you’ve been unable to find online and you’ve had to go out and shoot something yourself just to satisfy a particular itch? I know I’m a fiend for architectural detail. I often take pictures when I come across a clever detail to remind me of how the architect or engineer found a solution to a particular problem… JK: I don't use a camera. My whole process is about harvesting visual data, chopping it up and recombining it into something else. It is essentially 'collage' but my tools are entirely digital. The photos are digital. Everything is, at the root of it, all zeros and ones. It is just code. The best part of it is I can find everything I need online. I never have to leave the studio. AM: Your work has a post-apocalyptic feel to it, and it’s kind of otherworldly with familiar features used as elements in unfamiliar ways. As I’m an architect, your work initially grabbed my attention with the ‘impossible architecture’ that you present. What is it that piques your interest in the subject matter? JK: I see architecture as a vehicle for narrative. In this sense, the strucures are designed to be spectacles. I'm using them as devices to lure the viewer into the 'photograph'. There is a seductive element to it, a mystery that is about to unfold. I'm interested in building a specific ambiance where the image begins to kind of unravel. Jim Kazanjian 2 AM: Do you have any favourite ‘real’ examples of architecture you enjoy – impossible or otherwise? JK: Most abandoned buildings, especially hotels and themeparks. Anything Victorian. Municpal sewer systems. Gaudi. Disneyland. These are just a few things that come to mind. AM: Aside from the buildings and landscapes, you also have a series of abstracts. These also utilise common elements of structure. Personally, I enjoy these pieces just as much as the landscapes. Can you tell us more about this series?  JK: Those are actually labyrinths. I want to return to them at some point. It is something I'm still developing. Jim Kazanjian 3 AM: Can you describe your studio practice? I’m intrigued at how many hours of studio time you put into each piece of work, and we talked about recently how your work can be very solitary, as you spend time at the computer screen both for sourcing / referencing also for the creation process. I’m interested in how you start with an idea – do you sketch it out or does it all fall into place on the screen itself? JK: I spend half of my time just collecting material. It seems the larger my archive becomes, the longer it takes to build an image. There is so much more to go through. My recent images take about 100 hours to build, I think. My ideas are usuaully really vague before I start. I prefer to find interesting relationships with my source material and build off of that. If I preconceive things to much, the work usually suffers. My process works best when its flexible and I let the material tell me where it wants to go. AM: You’re showing your work as a 2-person exhibition with William Hundley this June at Breeze Block Gallery in Portland. I find that William uses contemporary landscape photography in a unique way also. Can you tell us a little about the exhibition and the synergies within your work? JK: We have totally different approaches to how we engage photography. But I think the synergy would be in how our work is using the photograph as a vehicle for a kind of 'perceptual inversion'. I'm looking forward to seeing our work together in the same space. Jim Kazanjian 5 Kazanjian_Hundley_BREEZE_BLOCK_GALLERY_june Discuss this artist here. Discuss this show here.

Overtime: May 27 – June 2

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More stories from the week ended June 2:
  • Marc Quinn unveils inflatable sculpture portraying Alison Lapper outside the church of St. Giorgio Maggiore.
  • RIP: Otto Muehl, who died at the age of 87 after suffering from Parkinson and heart problems.
  • Formal debate at Art Basel HK considers the assertion: The Market Is the Best Judge of Art's Quality.
  • The Art Law Blog states that despite what some may think, Detroit is able to sell artwork from DIA collection.
  • Velvet Underground settles Warhol lawsuit with Warhol Foundation over use of banana design.
  • New York state court dismisses $6mil lawsuit brought against Cady Noland by dealer Marc Jancou.
  • Werner Spies responsible for paying half amount for Ernst painting he authenticated that turned out to be fake.
  • Finnair will remove artwork on Airbus plane in its fleet after it was discovered that the art was plagiarized.
  • The Israel Museum buys back a landscape by Max Liebermann after returning it to the heir of Max Cassirer.
  • Cleveland Museum of Art settles claim over Johann Liss drawing said to have been taken by Nazis.
  • Bienal del Sur, a biennial in Panama, closed May 30 and involved much controversy, boycotts, and disputes.
  • British Council censors Jeremy Diller work in British pavilion at the Venice Biennale.
  • Filmmakers, writers and artists in Poland divided on opinion of 2010 crash that killed its president and others.
  • Workers at number of UK museums, galleries & heritage sites have begun strike as museums forced to close.
  • MoMA's restoration of Jackson Pollock’s One: Number 31, 1950 brings out some mysteries.
  • Rubens drawing of Marie de' Medici done in around 1622 emerges from Reading University store cupboard.
  • Nguyễn Phan Chánh painting achieves record result at Christie's in London for a piece by a Vietnamese artist.
  • LS Lowry doodles given to his favourite hotel waiter sell for more than £60,000 at auction.
  • Warhol prints and editions market rebounds to 2006–2007 levels.
  • Forbes lists the Six Risks To The Global Art Market in 2014.
  • Artwork owned by TS Eliot's late wife to go on sale at Christie's.
  • The argument against the art market being in a bubble.
  • City of Oslo reaches deal on new, futuristic crooked glass building to house Munch Museum, opening 2018.
  • Huntington Library receives $32mil gift from Charles Munger that will go toward education and visitors center.
  • Iraq to restore ancient arch of Ctesiphon as part of a plan to boost tourism to the once-popular site.
  • Professionals discuss how museums could become escape from urban living and the power of technology.
  • Ai Weiwei exhibits dioramas that recreate his experiences as a prisoner of the Chinese authorities.
  • Francis Naumann teaches chess to Ai Weiwei at his Beijing studio.
  • Michael Parkinson, Grayson Perry, Sienna Miller, Spacey, Rupert Murdoch among portraits by Jonathan Yeo.
  • Jerry Saltz reviews Jeff Koons's two concurrent shows up in NY right now.
  • Jeff Koons is hiring.
  • Roberta Smith writes about 101 Spring St and her experience working for Donald Judd.
  • Financial Times' Jackie Wullschlager has breakfast in London with Sir John Richardson.
  • KCRW interviews James Turrell.
  • Profile of Aby Rosen on occasion of his 53rd birthday.
  • The Modern Art Notes Podcast with Tyler Green features Julie Mehretu for a full hour.
  • Francesco Vezzoli returning to MOCA with new exhibition in 2014.
  • James Franco's show at Pace Gallery, London opens this week.
  • Marc Quinn unveils naked portrait of pregnant Lara Stone on a mound of red meat.
  • Martin Martensen-Larsen plans to cover executed prisoner’s corpse in gold paint, but legal questions remain.
  • Jimmy Kimmel denies he bought Bea Arthur painting by John Currin at Christie's auction.
  • Milla Jovovich poses among cardboard and in glass boxes as part of performance during Venice Biennale.
  • 1xRun releases cradled wood box boombox edition by Skewville.
  • Markus Wolff has a new print available via Serigraphic Systems Inc.

Openings: Faile – “Les BALLETS de FAILE” @ Lincoln Center (Part II)

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Last Wednesday marked the return of Faile’s Les BALLETS de FAILE to the New York City Ballet at the Lincoln Center. After an epic tower installation for their first showing (covered) at the same venue for the NYCB art series kick off, the duo Patricks premiered a new body of work that consisted of their signature prayer wheels. Each hand-carved prayer mini-totem is a hand painted gem. Faile took back the massive entry way with a grid of the spinning piece. The collective also unveiled a second series of wood block paintings. This great installation is open to the public (details here).  Check out opening night excitement below. Discuss Faile here.

Interviews: William Hundley “Temporary Equilibrium” @ Breeze Block Gallery

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It takes a couple of looks to comprehend William Hundley’s photography. He has been shooting his Entoptic Phenomena series of work since 2006 and wowing viewers with the floating fabric objects presented within his urban landscapes. Hundley’s work is composed completely within the camera – he uses zero post production or photoshop trickery within his images. We’ve followed his work for a number of years and always wondered how he captures his unique images, so we asked him a few questions about his process.

He has a two-person exhibition along with photography ‘Hyper-Collagist’ Jim Kazanjian (interviewed), featuring his Entoptic Phenomena series of work entitled Temporary Equilibrium, opening on June 6th at Portland’s Breeze Block Gallery.

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 AM: Whenever I’ve shown your work to people they take a little while to figure out what’s going on – with particular reference to the Entopic Phenomena series. Most at first think it’s Photoshop trickery or something going on, and you get the ‘ah that’s pretty cool’ reaction. After I’ve explained that there is a person inside the form outlined by the fabric and that they are looking at an ‘in camera’ photograph the penny drops and they change their reaction to ‘That’s fucking cool!’. Do you find that you have to explain this series a lot, and if so how do you tell the story?

WH: Yes, as we are out shooting I need to quickly explain what I am doing so people don’t freak out and/or call the cops.  I make it sound like no big deal, just a silly art project.  Lots of security guards, lots of concerned citizens, lots to talk my way out of.

As far as explaining the final artwork to somebody.  Yes, I will briefly explain if asked directly, but I do everything I can to allow the viewer to determine their own conclusions about my images.  It’s almost like a visual riddle with a hidden reward.  I like how some people assume it is Photoshopped and never think twice.  That is double points for me.

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AM: Do you plan a connection between the fabric you use and the setting? I’m intrigued about the backgrounds you use. Do you purposefully go on location scouting trips or do you find yourself continually making mental notes of where your travels take you?

WH: Selecting the fabric colors to match the backgrounds is like painting for me.  I typically make sloppy and thus cryptic notes of cool locations as I drive around town.  It’s dangerous really.  I then revisit the locations with a bunch of random fabrics and a friend and select something on the spot.  I go with my gut on those decisions and will change the fabrics if needed.

AM: Are the majority of locations shot in Austin?

WH: Yes, most of the locations are in and around Austin.  The idea travels well, so some of the work is shot while on adventures outside of Texas.  I just need a camera and the sheet from whatever bed I’m sleeping in.  Ha!

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AM: And who exactly is within the forms? Have you ever taken any selfies in this series?

WH: Oh yeah.  The original photographs of the series were taken of me by my girlfriend at the time.  Now I have a couple of skilled acrobatic friends to assist.  It is not as easy as you think to maneuver the fabric and your body accordingly.  It can also be embarrassing for some people because most the locations I choose are in public places and can be seen from busy roads.  Lots of people honk at us and look really confused about what is going on.

AM: As the shots contain people, would you describe the Entopic Phenomena photographs as portraits or landscapes?

WH: I don’t really describe them in either sense.  I like other people to tell me what they think they are.

AM: Your sense of humor is prevalent in your photography and throughout your entire body of work. Do you think it’s important to inject an element of play into the art world? Who’s the ‘funnest’ artist out there for you?

WH: Yes, I like funny.  Art that is too serious loses the purpose for me.  That doesn’t mean that everything I do is intended to be humorous, or that I don’t like some serious art.  I like to have fun with my work.  I also really appreciate the fact that some of the images are out there right now making people smile and wonder. My opinions change, but I would have to say that Erwin Wurm is quite the prolific comedian.

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AM: You’re showing your work as a 2-person exhibition with Jim Kazanjian this June at Breeze Block Gallery in Portland. Jim uses contemporary landscape photography in a unique way, although doesn’t classify himself as a photographer. Can you tell us a little about the exhibition and the synergies you’ve found within your work?

WH: My initial reaction was that it was a great matchup:  the highly Photoshopped surreal photographic work of Jim’s next to my in-camera unaltered photographic works also of surreal appearance.  My next thought was how vibrant the colors of my work will be next to the sharp black and white of Kazanjian’s work.

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Discuss this artist here.

Discuss this show here.

 

Preview: D*Face –“New World Disorder” @ StolenSpace

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D*Face (interviewed) is putting the finishing touches to his fast approaching show at Stolenspace this week. New World Disorder will feature a series of all-new work, with an emphasis on consumer and social issues, from the pop culture jammer. Our friend Ian Cox visited D's studio recently and caught the artist in the final throes of preparation of work for the show. The exhibition looks like a strong body of work and further development of some of the themes and items that we've seen him using recently, such as WW2 helmets, bats, skate decks and other curios alongside his blend of comic book/Lichtenstein-infused social commentary. This show marks the end of an era for StolenSpace Gallery - a place we've visited many times in the past, and coincidentally, run by D*Face and his cohorts - as it is the last exhibition they are holding in the Brick Lane space before they move onto a new location. D's studio, which AM has visited before, is directly above the gallery and part of the New World Disorder experience. Viewers will be invited to explore the studio space, which will be decked out with relics from past eras dug out from the D*Face archive. It all promises to be immersive and fun. The exhibition opens with a preview evening on Thursday 6th June and runs until 23rd June. One to catch if you are in London for sure. Discuss D*Face here.

Adrian Ghenie – New Paintings @ Pace Gallery

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Adrian Ghenie Pace AM 12

Prior to the Yoshitomo Nara exhibition (covered), Pace Gallery hosted another excellent exhibition by Romanian painter Adrian Ghenie. This series of new paintings shows off why Ghenie has been touted as the next coming of Francis Bacon. A tough title to bear as the legendary painter from the United Kingdom has already cemented himself as one of the all time great painters. Utilizing just paint and canvas Adrian tackles the dark side of modern European history by combining sources from film stills, books and his imagination. An accomplished painter Ghenie seems to effortlessly blend and blur paint to convey complicated emotions such as the horror and complexity of some of the most historically charged moments of the twentieth century. A very interesting show from a very promising painter. Check out a detailed look below.

Photography: London Street Art Photography Workshops with NoLionsInEngland

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We've all heard of street art tours. Their very existence as a tourist attraction shows just how big street art has become over recent years and how wide its appeal has grown. Whilst many view some of the street art tours as parasitic, our friend NoLionsInEngland has something completely different to offer for the budding street art photographer. NoLions has been at it for years and has put in some serious hours documenting London's ever changing graffiti and street art landscape. You may well be familiar with his blog Graffoto - one of the best reads on the internet for the discerning vicarious street art voyeur. Now Mr NoLions is sharing some of the knowledge he has picked up over time by offering Street Art Photography Workshops. A series of 3-hour long events encompassing a "classroom" tutorial and photographic tour/mooch around the streets of Shoreditch aimed at helping you hone your skills as the next NoLionsInEngland! So whether you carry a phone, a compact or a SLR, there will be some top tips on composition and how to get that perfect shot. The upcoming dates are as follows: Sat 22 June, Sat 29 June, Sat 6 July all starting at 11am from Top Office Machines, 133 Bethnal Green Road, London E2 7DG. Pictures here are from the Street Art Photography Workshop Flickr pool by the likes of NoLionsInEngland and some of his class of '13.  

Openings: Tracey Emin –“I Followed You To The Sun” @ Lehmann Maupin (26th Street))

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Tracey Emin Lehmann Maupin AM 06

Tracey Emin recently revealed a duo gallery show at New York's Lehmann Maupin. Entitled I Followed You To The Sun, this massive show featuring 100 works of art was displayed at both it's 26th Street and Chrystie Street gallery locations. We had the pleasure of visiting the 26th St. location to view a diverse selection of mediums which the YBA (Young British Artist) alumnus created for this showcase, including paintings, drawings and of course her signature neon installation. At the center of this exhibition is seven bronzed sculptures created by Tracey at the foundry which Louise Bourgeois once used for her creations. Each sculpture is like a mini sarcophagi, each adorned with a hand sculpted human figure and contains Emin's revealing poetic confessions. Check out a look at this exhibition below. Discuss Tracey Emin here.

Showing: Amanda Marie – New Works in Europe

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American artist Amanda Marie spent May and June traveling around Europe, showing her work at fairs and making beautiful public street art along the way. She started her trip by visiting Germany where she introduced some new works @ Stroke Munich through Battalion Gallery, Amsterdam. As a main piece for the show, she made a beautiful And Off They Slowly Rode Together piece, a huge canvas showing her signature vintage-feel imagery and palette. It is in her recognizable style can be seen as lovely and cute, as well as a bit scary and sad. While in the city, Amanda also did some public works, such as mural she worked on during the fair, and her popular Gravity Girl image on an abandoned building. After Munich, the artist visited Amsterdam, where she did more public works all over the city. She did small murals in a legendary graffiti shop Henxs, as well as the Genuine Milk piece she did on the streets of central Amsterdam, near the legendary Caffe Belgique. And finally, she took part in a Made Creative project in the Nord Amsterdam, where she did a huge Imaginary Girls mural on the same spot where Ben Eine, Neils 'Shoe' Muelmen, and Ludo previously painted their pieces. After finishing these lovely works, Amanda went back into the studio where she's currently working on her pieces for the upcoming SCOPE Basel fair, as well as a Converse branding project she's taking part in.

Showing: “Extraction” @ The Hole

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Exstraction The Hole gallery AM 36

The Hole gallery in New York continues it's run of great shows. This one is a group exhibition titled Extraction and it's focus on new approaches in abstract painting. This showcase features an expansive list of artists such as Ara Peterson, Chris Johanson, Cory Arcangel, Gerhard Richter, Kadar Brock, Mark Flood, Peter Sutherland, Sam Moyer, Wade Guyton, Xylor Jane to name a few and aims to show how this current generation of artists' take on conveying the non-figurative. Check out this excellent show below.

Overtime: June 3 – June 9

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More stories from the week ended June 9:
  • Subodh Gupta’s giant boat on show at Hauser & Wirth rumored to sell to Guggenheim Abu Dhabi for $800k.
  • RIP Charles Mason, who has taken his own life at age 50.
  • Tragic news - artwork by from Picasso, Monet, and Matisse stolen from Rotterdam may now just be ashes.
  • Paul Yore collages confiscated by police, who say the work sexualizes children and he may face charges.
  • Christie’s withdrew ten works by Brazilian artists from its auctions of Latin American art due to forgery concerns.
  • Glafira Rosales, accused of selling fakes to Knoedler Gallery, has been arrested on suspicion of tax fraud.
  • European auction houses, dealers, collectors failing to make adequate checks to avoid handling stolen art.
  • Baltimore Museum of Art argues in court that a disputed Renoir supposedly found at a flea market belongs to it.
  • Frans Wynans Fine Art sues Andy Warhol Foundation saying it wrongfully auctioned off Gretzky Polaroids.
  • Gagosian Gallery trying to get Ronald Perelman to toss his lawsuit after it dropped its own suit.
  • Banksy mural removed from a building in London sells for more than $1.1 mil. according to sellers.
  • Germany struggling with what to do with art commissioned by the Nazis.
  • How a city museums are not a benefit to poor people in the community.
  • An audit of commercial galleries in London finds that only 5% represent an equal number of male and female artists.
  • State Senate committee approves bill that would protect the art collections in Detroit from liquidation.
  • Venice Biennale responds to trouble in Turkey as artists, curators and collectors join the protest.
  • China's Communist Party condemns outbreak of imitations of Florentijn Hofman's giant yellow ducks.
  • Ideas on resuscitating the arts in California's public schools.
  • Musée du Louvre in Paris unveils new LED lighting system by Toshiba for Leonardo da Vinci's Mona Lisa.
  • Ricahrd Serra's outdoor sculpture Shift gains protected status in Ontario.
  • After turning 90 years old recently, Ellsworth Kelly celebrates by having five concurrent exhibitions in NYC.
  • Dan Flavin estate lifts ban on the posthumous production of unrealised fluorescent light sculptures.
  • Li Zhi provides An Introduction to the Chinese Handscroll.
  • Christopher Hawthorne writes about Peter Zumthor's preliminary design for LACMA.
  • Museum visitors to vote on which painting to keep or to deaccession at The Georgia Museum of Art.
  • William Morris Gallery wins £100,000 Art Fund and Museum of the Year award in London.
  • Posters of artworks will be displayed across Britain this summer in bid to turn UK into the "world's largest art gallery".
  • The only permanent artworks commissioned for the new Whitney Museum site are by Richard Artschwager.
  • The Vatican to spend millions on new churches and also on artists to furnish them.
  • Tino Sehgal wins the Golden Lion for best artist at this year’s Venice Biennale.
  • Is Albrecht Dürer's The Great Piece of Turf (1503) the greatest European drawing ever made?
  • Corcoran’s Clark Sickle-Leaf Carpet breaks world record at Sotheby’s auction, selling for $33,765,000.
  • Sotheby’s and Christie’s both go to the Nahmad family of art dealers for their top lots of Impressionist works.
  • UBS now sponsors all three fairs in the Art Basel group after Deutsche Bank drops out of Art Basel Hong Kong.
  • Wealth-X's list of the top ten billionaire art collectors.
  • Frank151 asks: who really owns street art?
  • Website Surge launches, selling artwork priced from $30 to $5,000, targeting the Chinese middle class.
  • Mona Kuhn exhibition gets reviewed by Vogue Netherlands.
  • Interview with Yoko Ono, who admires herself greatly as an artist.
  • Larry Gagosian misses a party at his own mansion.
  • Swizz Beatz plans to open his own art gallery.
  • Dustin Yellin and Michelle Williams's dating life.
  • Film produced by Vince Vaughn and directed by his sister explores art murals of Northern Ireland.
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