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Studio Visit: Katrin Fridriks

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We stopped by Katrin Fridriks workshop/studio in Paris during holidays, and got a chance to see her recent works as they were getting packed for their trip to fairs worldwide. We also got to talk with her about her plans for 2014, and the way all the successful shows, fairs and auction results are affecting her work and life. Being one of the few female artist out there that reached the level she is at, we were interested to find out more about her and her work, which she happily shared with us. Katrin Fridriks is an Icelandic born conceptual artist that lives and works in Paris and Luxembourg. She's been active in the art scene for about 10 years now, and numerous gallery and museum shows, art fairs, grants and big commissions are already proving her position in the contemporary art world. Although architecture was her first true love as a way to express herself, she ended up studying calligraphy which definitely influenced the characteristic style she has became known for. Her young and energetic spirit, and wide influences from Pollock, Richter to Kapoor, seem to determine her work for recognition and success. Combining the almost surreal beauty and energy of her homeland with her own energy and unique technique she developed in her workshop, she creates impressive works on canvas. These pieces are abstract and work both on the micro and macro level, but they all carry a lot of deeper meaning in them, which Katrin is very passionate about. Using her vivid and explosive works to raise awareness on different subjects, the title of these pieces usually reveal a fraction of the story. Through her ongoing series such Gene & Ethics, Stendhal syndrome, Crayons, Awareness, etc, she explores such themes such as the genetic code and human classification, the flux of information in a technology-based context, or the natural resources expressing the consequences of human activities on Earth. These subject are especially meaningful for her since she hails from such a remote place like Iceland, which is in many ways very different and untouched by the rest of the world. Therefore, she tries to express her thoughts and concerns about these subjects, by creating work that visually and conceptually relates to them. Also, as meticulous she is about each piece she creates, she is very careful about her installation and the presentation of her work. Nicely balancing her energetic splatter and calmer liquid images, as well as monochromatic and color ones, her installations regularly have a strong impact on the visitors of the fairs and gallery shows she is showing at. Last year was a groundbreaking one for Fridriks on many levels - from setting up and starting working in her new studio space in Paris, to seeing her works reaching enviable results in auctions, along with constantly creating new work and exhibiting it at fairs and shows all over the world. And still, that all sounds like merely an intro by the sound of her plans for 2014. Carefully picking galleries she works with, events she contributes to, and building her base of institutional supporters, Katrin is starting off this year by taking part at Art Stage fair in Singapore, a solo show presentation with LTD gallery during the India Art Fair in New-Delhi, and at BRAFA fair in Bruxelles, andshowing along works by Fritz Glarner and Maurice Esteve with Hélène Bailly Gallery. She is also in a two person show together with Clemens Behr at ART14 in London, and has plans as well for big solo shows with Lazarides in London and with Circle Culture Gallery in Berlin later in the year. Finally, she is also taking part in a huge show at the Seoul Art Center Museum, exhibiting along big names such as Renoir, Monet, Picasso ,Chagall, Miro ,Dali, Degas, Rodin, Hirst, Kusama, Warhol, De Kooning, Banksy, Sam Francis, Murakami and many more. Take a look at more photos from her studio below... Discuss Katrin Fridriks here.

Overtime: Jan 13 – Jan 19

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More stories from the week ended Jan 19 (click on bolded words for more information):
  • Anish Kapoor's inflatable concert hall travels Japan and brings music to tsunami-hit areas.
  • Vilma Bautista sentenced two-six years for conspiring to sell paintings belonging to Philippine government.
  • Brand X Editions' lawsuit against Christopher Wool and Luhring Augustine allowed to proceed in court.
  • Nicholas H. Jepson sues Galerie Mongeon for refusing to return his Edgar Degas prints.
  • Two antique dealers accused of $1.5mil. art loan fraud and running a Ponzi scheme.
  • Mysterious portfolio of watercolors purportedly by Egon Schiele turns out to be mostly fakes.
  • Agreement reached in plagiarism accusation by Bridget Riley against Tobias Rehberger.
  • Controversy ignites over posthumous casts of Brancusi sculptures.
  • Cooper Union will officially start charging its undergraduates tuition after alternative plans rejected.
  • Some Los Angeles Unified School District schools lost art teachers over winter break.
  • Michael Wolf writes: New York's Museum of Modern Art: a case study in how to ruin an institution. Jerry Saltz writes an open letter to the museum.
  • Sotheby's publishes 14-page report defending authenticity of Su Shi scroll it sold.
  • The V&A set to publish complete list of Hitler’s confiscated degenerate art list online for the first time.
  • MOCA announces the appointment of Philippe Vergne as the museum’s new director. LA Times profiles him and the museum's situation. Vergne's first interview after the announcement of his hiring. Jori Finkel discusses hiring on Which Way, LA?. The art world reacts. Jerry Saltz's thoughts on Vergne. Christopher Knight's take.
  • National Museum of Afghanistan rebuilds after so many of its collection was looted or damaged/destroyed.
  • Michigan Governor Rick Snyder pitches $350mil. plan in state aid for DIA, pension funds. DIA may have to come up with $100mil. to break free from the city.
  • Finland votes to reserve parcel of land on city’s South Harbor waterfront for prospective Guggenheim museum.
  • New theory suggests that Michelangelo drawing may actually be the artist's first sketch of the Sistine Chapel.
  • The history of African American gay men as seen through photographs.
  • Introducing Artist Book Foundation, new nonprofit organization dedicated to publishing fine-art references/books.
  • Interview with Peter Loughrey from Los Angeles Modern Auctions.
  • Gallerist writes about Zach Feuer and Joel Mesler's new space in Hudson called Retrospective.
  • Aran Cravey Gallery moves from Venice to Hollywood.
  • Robert Blumenthal plans to open gallery in Upper East Side of NYC.
  • Anderson Cooper wins bid for Jeff Koons piece at Haiti benefit auction for $1.4 mil. Banksy sells for $650k to Chris Martin.
  • Elaine Wynn identified as the buyer of Francis Bacon triptych of Lucian Freud.
  • Lord Lambton's son to sell £3.5mil Lucian Freud painting of his mother after inheritance disagreement settled.
  • Sotheby's to auction a Van Gogh painting once owned by Errol Flynn.
  • Buying and selling: art market versus the stock market.
  • Holland Cotter looks at today's role of money in art.
  • How art fairs are changing the way that galleries operate.
  • How auction houses competing for a share of the market could put them at risk.
  • Harley Davidson motorcycle given to the Pope Francis to be auctioned off to benefit charity.
  • 7,000 art objects to be on display at new Mumbai airport terminal.
  • Live maggots are being flown regularly to Qatar to supply A Thousand Years, on display in Damien Hirst show Relics.
  • British Museum has its most successful year in history with 6.7mil. visitors in 2013.
  • Metropolitan Museum will have a show featuring football trading cards.
  • The Denver Art Museum receives gift of 22 Impressionist works from the collection of Frederic C. Hamilton.
  • Robert W Wilson's will leaves his art collection, save for one Rosenquist piece, to the Whitney Museum.
  • Extensive profile of Jeffrey Deitch and what he's been up to and planning.
  • Jonathan Jones writes about the ten most subversive women artists in history.
  • NY Times reviews Richard Serra at Gagosian Gallery.
  • Andrew Russeth reviews Sarah Crowner show at Nicelle Beauchene Gallery.
  • Creative Time will show Kara Walker at Williamsburg’s Domino Sugar Factory this May.
  • Stefan Haus writes about David Ostrowski.
  • Paper Magazine interviews Jeanette Hayes.
  • Lola Gil answers 12 Questions.
  • The Beckhams' Damien Hirst artwork moves into their new home.
  • Metropolitan Museum Costume Institute will be renamed the Anna Wintour Costume Center.
  • Todd Hido print available from Whisper Editions.

Studio Visits: Wayne White

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AM recently got the chance to visit Wayne White in his Los Angeles studio. His workspace is as amazing and surreal as you would imagine, including four foot tall eyes and an oversized mask of former president Lyndon Johnson. Although White is best known in the art world for his paintings that combine vintage imagery with clever, bright colored words, he is also recognizable as the star of the documentary Beauty is Embarrassing and for his work on Pee-Wee’s Playhouse. When we arrived he was preparing for a show at the Joshua Liner Gallery in New York and an upcoming print release with Modern Multiples, joining the ranks of  artists like Camille Rose Garcia, Banksy and Shepard Fairey (and many others) who have all released  prints with the Los Angeles-based screen printers. Below are pictures of the studio, some works in progress and a few images of completed paintings from his website. Discuss Wayne White here.

Streets: Invader (Hong Kong)

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After hitting the slopes earlier this month in the Swiss Alps so spread his signature imagery to the great outdoors, Invader has traveled to one of the densely populated places in the world. Hitting the streets of Hong Kong has its own set of problems, as fellow French artist Zevs discovered in 2009. It looks like Invader had a more successful run including debuting some new work including site-appropriate references to Kung Fu Master and Hong Kong Phooey. Discuss Invader here.

Streets: Swoon – Bowery & Houston Mural (Part II)

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In the middle of last Fall, Swoon (interviewed) was tapped as the next artist to hit the iconic Bowery & Houston mural location. We caught her working day and night (here) to get her visual language up for New Yorkers to enjoy. Utilizing her well known hand-painted paper cuts and wheatpaste collages, Swoon & her team created a beautiful mural that captured the layers of the city and its urban inhabitants. Ironically, once the mural was finally completed the city underwent construction that blocked part of the mural. But once winter hit full force, we were able to stop by to enjoy this creation without obstruction. Check out the details below... Discuss Swoon here.

Overtime: Jan 6 – Jan 12

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More stories from the week that ended Jan 5 (click on bolded words for more information):
  • Davina Semo's exhibition RUDER FORMS SURVIVE opens at Marlborough Chelsea.
  • RIP: Clinton De Menezes at age 43, murdered while protecting a friend, after saving his wife and daughter.
  • Paul Conrad's "Chain Reaction" sculpture could receive additional funding for preservation from Santa Monica.
  • Denver Museum of Nature and Science will deliver its 30 vigango totems to the National Museums of Kenya.
  • Bavaria drafting a national law to ease the return of Nazi-looted art to its rightful owners.
  • The hunt for stolen and looted art in Poland.
  • Damian Brenninkmeyer, former head at Christie's, ordered to have marriage counseling for beating his wife.
  • Gregg Pierleoni accused of embezzling from company and spending on Thomas Kinkade artwork, among other things.
  • Rauschenberg Foundation trustees sue for $60 million in fees and trial set to get underway later this year.
  • Florentijn Hofman threatening to close Taiwan exhibition early in protest at an apparent copycat attempt.
  • 200 people protest the conversion of Ebrington Turner Prize gallery into office space.
  • A Satanic group wants to erect a 7' statute of Satan near Oklahoma City.
  • Gwen Goodwin claims in court that Melissa Mark-Viverito placed a curse on her in the form of a public art project.
  • Tim Haries found guilty of vandalizing portrait of Queen, which he did to highlight the "social justice issue of our time".
  • Video surfaces purporting to show attack on Park City Banksy street piece.
  • New regulations involving ability to 14-day period to return goods threatening to undermine online art market in Britain.
  • Artspace provides a primer on The Pictures Generation.
  • Mera Rubell tours 37 Baltimore art studios in 36 hours.
  • Solutions for a global art world.
  • Fidel Castro makes appearance at art studio opening after 9 Months out of public view.
  • Crystal Bridges Museum of American Art has a groundhog problem.
  • MOCA reachess goal of $100-million endowment and now has new objective of $150 million. Some possibilities for the museum's next director.
  • Attendance at Frick Museum spikes due to Tartt novel.
  • Shepard Fairey showing alongside Jasper Johns in show at The Halsey Institute of Contemporary Art.
  • Jeffrey Uslip named chief curator of CAM St. Louis. Shows by Mark Flood, Kelley Walker, and Joe Goode coming.
  • Budi Tek's Yuz Museum in Shanghai has a soft opening. First show in May.
  • MoMA unveils redesign of building, featuring retractable glass wall, new space and opening of its free first floor.
  • Keith and Katherine Sachs donating majority of their art collection to the Philadelphia Museum of Art.
  • Christie's rapidly expanding private sales division.
  • Nigerian art market increased 21.8% from 2012 to 2013.
  • Christie’s CEO Steven Murphy talks about the market in India and Indian art.
  • Art Remba's artwork rental business.
  • Profile of Russian art collector Alexey Ananiev.
  • Forbes 30 Under 30 in Art & Style this year includes Lucien Smith, Torey Thornton, Oscar Murillo, and Travess Smalley.
  • Financial Times talks with Nicholas Penny over breakfast.
  • Hyperallergic's 10 Best NYC Art Shows in 2013.
  • Thomas Struth's latest series involves photographs of Disneyland.
  • David Lynch's photography of old industrial factories and buildings.
  • Alexsandro Palombo creates some erotic images of Homer and Marge Simpson.
  • David Hockney's iPad art.
  • Oscar Murillo among the nominees for The Times South Bank Breakthrough Award.
  • Edith Abeyta crowdsourcing on Craigslist and paying for contributions to a art project.
  • Lola Montes Schnabel featured in Magnetica Magazine, with an interview by Pedro Matos.
  • Gregor Hildebrandt shares some songs that inspire his artwork.
  • Robert Indiana on NPR discussing his retrospective and the success he received from Love.
  • Alex Prager answers 25 Questions.
  • Blair Thurman interview by Bill Powers.
  • Damien Hirst unveils Mickey Mouse painting to be auctioned for the benefit of Kids Company.
  • Larry Clark's $100 photographs sale at Home Alone 2.
  • REVOK: Made in Detroit book with individually-painted cover available from MOCA.
  • Marcel Dzama print available at Whitechapel Gallery.
  • Uprise has Andrew Schoultz skate decks available.
  • Sam Flores edition of 25 on wood available on Upper Playground.
  • Katy Perry to guest curate Madonna's Art for Freedom project.
  • Bleeding Cool has a conversation with Shia LaBeouf about authorship and censorship.
  • Jessica Chastain gets put in shots influenced by classic paintings.
  • Adele buys painting by Darren Coffield and wants to commission a portrait by him.
  • Yours truly nominated for Rob Pruitt Art Award and included in Art in America's family portrait of the art world in 2013.

Streets: Ernest Zacharevic (Malaysia) – Part II

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After bringing you some photos of the exhibitions and installations Ernest Zacharevic put on display in Malaysia for his fans last week, we now have shots of the murals he created around the compound. Often taking advantage of architectural elements as well as using three-dimensional supplements to his street pieces, the Lithuanian artist has transformed the  Old Hin Bus Depot into an immersive art experience. Photo credit: Henrik Haven. Discuss Ernest Zacharevic here.

Overtime: Jan 20 – Jan 26

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More stories from the week ended Jan 26 (click on bolded words for more info):
  • Jeff Koons balloon rabbit installed in lobby of new IBM building on 51 Astor Place.
  • RIP: Chryssa, who died at the age of 79.
  • RIP: Martha Beck, who died at the age of 75.
  • RIP: Robert Alistair McAlpine, who died at the age of 71
  • Getty senior curator Scott Schaefer is retiring.
  • Bombings in Cairo killed people and wrecked a nearby museum of Islamic artifacts.
  • Charles Saatchi and Taki may spar off in a cage match fight.
  • Rodrigo Cañete's thoughts on Theaster Gates and what he dubs "con art".
  • Dasha Zhukova causes controversy by posing in Bjane Melgaard chair in article pic posted on MLK Jr. day. Her response here. Gavin Brown and Melgaard provides their perspective. Jonathan Jones provides his explanation of the chair.
  • MoMA called an emergency board meeting to install new member in light of expansion controversy.
  • Property development on Cork St. is a threat to galleries in St James and Mayfair.
  • Jasper Johns to testify against Brian Ramnarine in case of fake bronze Flag sculpture.
  • Artists of 14 Verona St. suing apartment building, asserting property should convert to rent-stabilized units.
  • French woman suing University of Oklahoma to recover a Nazi-looted painting that was taken from her father.
  • Creditors argue that Detroit should be forced to establish an independent committee to assess worth of DIA's assets. Judge denies request. Gov. Rick Snyder pledges $350mil. to a growing rescue fund that includes DIA.
  • George Zimmerman appropriates AP photo by Rick Wilson for his latest painting. The AP and Wilson threaten to sue if Zimmerman sells the piece.
  • German Olympians will wear rainbow-colored uniforms in Sochi.
  • Italy lets the people choose online on which artwork it will save.
  • Painting bought on eBay for £3,000 8 years ago turns out to be a Édouard Vuillard & buyer may not be aware.
  • Sotheby’s is going to sell three paintings recovered by The Monuments Men.
  • Christie's February sales features works by YBAs from Sensation show.
  • Christie's sales rose 16% in 2013. Sotheby's 2013 sales grew at a greater rate than did Christie's.
  • Five myths about the Chinese art market and what the realities may be.
  • Hedge fund managers and other investors roles in the art market.
  • Film about painter Robert De Niro Sr premieres at Sundance.
  • Tate signs ten-year £5mil sponsorship deal with Hyundai for Turbine Hall.
  • Anthony Thorn gives $2.67mil. to Art Gallery of Greater Victoria.
  • Joseph Wright of Derby portrait donated to Holburne Museum is 3rd work gifted in UK's Cultural Gifts Scheme.
  • Guggenheim Museum gets first loan of five major Futurist murals from the central post office in Palermo, Sicily.
  • Philippe Vergne's plans for MOCA.
  • Elliot Perry's art collection goes on view at Flint Institue of Arts.
  • GM Foundation gives $1 million to National Museum of African American History.
  • A look back at Artsy's 2013.
  • LA Times writes about the LA Art Show's Littletopia and gives tips to new collectors.
  • Anna Wintour's connection to the art world.
  • A primer on John Baldessari.
  • Profiles of Martin Creed as he prepares for his Hayward Gallery show.
  • How Jessica Eaton creates her work.
  • Hi-Fructose visits Jen Stark at her studio.
  • Jerry Saltz reviews Wade Guyton's show at Petzel.
  • Mark Kostabi plans to paint 15 portraits of Ilona Staller and direct a movie about her life.
  • Paige Powell's intimate photographs of Jean-Michel Basquiat.
  • Profile of Ramiro Gomez. LA Times review of the Charlie James Gallery show.
  • Photos from Bert Rodriguez's bowling party at the Roosevelt Hotel's Spare Room.
  • W Magazine writes about Oscar Murillo's show at The Mistake Room.
  • Two members of Pussy Riot will appear at a concert promoting human rights in NYC, according to organizers.
  • Q&A with Susanne Vielmetter.
  • Cruciani C makes bracelet version of Jeff Koons' balloon dog.
  • Shia LaBeouf's idea of performance art. He is searching for a LA gallery to exhibit his performance.

Art Focus: Aaron Li-Hill

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For our latest Art Focus feature, we wanted to bring the dynamic work of Aaron Li-Hill to your attention. The recently relocated artist who moved from Toronto to New York City can be seen above working on one of his kinetic and visually arresting installations, another one of which can be seen below. The multi-disciplinary Li-Hill, comfortable across a plethora of mediums, also creates street murals and paintings. For those interested, he will be exhibiting at the Next Gallery in Toulouse, France  in May, showcasing mainly paper works and large scale canvases, as well as a mural or installation in conjunction with the exhibition. In September, he will also be creating a collaborative installation with two other artists, Alexa Hatanaka and Patrick Thompson (Evoke) at a gallery space in Toronto called Hermann & Audrey.

Streets: Gaia (Baltimore)

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Last week, South West Baltimore saw a new mural go up from Gaia on McHenry Street honoring the late Nelson Mandela. Entitled Kurema, Kureba, Kwiga, the piece was painted in solidarity with the Colour Ikamva project in Rwanda and Martha Cooper's (interviewed) Sowebo/Soweto documentation. More photos below... Discuss Gaia here.

Interviews: Sage Vaughn –‘Nobody’s Home’ @ Lazarides

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Defiance (Pussy Riot) 2013 Oil, Acrylic, Ink, and Velum on Canvas 48 x 60 inches

LA based Sage Vaughn makes a welcome return to the UK for his new solo exhibition Nobody's Home this week at Lazarides Gallery. His ability to present beauty and brutality, cleverly intertwined within the same image, has always resonated with us. A couple of weeks ago, Sage interviewed Bill McRight for AM in anticipation of his solo exhibition Willing to Lose at Breeze Block Gallery in Portland. This time around Bill has repaid the favour and turned the questions on Sage. Read on as the pair get chatty again... Bill McRight (BM): I heard your introduction to art was from your grandmother taking you to galleries and drawing with your dad. What stuff would you and your grandmother look at? What did you and your dad draw? Sage Vaughn (SV): My grandmother had a lot of art in her house. Everything from famous names to stuff she bought in little weekend markets in Mexico City. She introduced me to art as a means of communicating. It tells about the culture, the artist, and then something else when it’s bought and reveals something about the character of the collector. My father was a commercial artist. He always relished the technique. So he would take me to the zoo and we would just hang out. He helped me to draw what I saw not what I thought I saw - if that makes any sense. BM: I think you are probably best known for your paintings (the ones on canvas) but you use a variety of materials, envelopes, collage, baseball bats, and even a rhumba (am I missing anything?)... What appeals to you about using so many different materials? SV: I think just the variety appeals to me. Not all of my ideas involve paint and canvas. I like the tradition of painting; its legacy is a rad thing to be a part of. But I also find it really exciting to experiment. Eclipse 2013 Oil, Acrylic, Ink, and Velum on Canvas 60 x 70 inches.jpg BM: The subject matter that instantly comes to mind when I think of your work is butterflies, then birds, spiked bats, kids, collages, and then skulls (in that order). Can you talk a little bit about the different subjects and what they mean? SV: Most of the animals I depict are the species in closest relation with society. There are closer creatures, like cockroaches, lice, and bedbugs, but it’s hard to sell paintings of parasites (unless you’re Andy Warhol). The real reason I paint those specific animals is because of their proximity. We can see them, so we can relate. The children are really the human equivalent to that line between society and the wilderness. It's where we are taught to have certain conditioned responses/emotions to the world and not the natural instinctual improvisation we have as a kid. BM: What kind of work did you make for this show? SV: For this show I took the birds inside. I wanted to shape an entire show around the concept "NOBODYS HOME." Somehow, I get catalogues from interior design-y companies. The staging for their photo shoots always seem so alien and bizarre to me. It’s even weirder when you go to someone’s house and they've decorated their place to look like one of those magazines. For example: a three-foot high stack of books next to the bed/couch with a lamp on top. It always looks cool, but not really meant for someone to actually live in that environment. No one's home, so I felt like the birds would look comfortable and at home in it. It’s the opposite of how you normally would expect a bird to react to being trapped inside. The works with the butterflies represent a more allegorical interpretation of the "NOBODYS HOME" concept. More along the lines of no one is paying attention, or that no on should actually live there. Cops texting, people looking at art, etc. BM: You interviewed me a few weeks ago and asked me about preparing for shows, I'm gonna ask you a similar question here. Do you go into making work for a show with a concept or is it sampling of a certain time period work wise? SV: Normally its just a certain number of works within a given time...but lately its become more focused. More crystalized. Bliss Collection 2013 Oil, Acrylic, Ink, and Velum, on Canvas 36 x 36 inches BM: I have heard you described as a “blue collar” artist, I know you have a crazy work ethic, what's a typical day like for you? SV: I don’t know where that came from. I’m a bit obsessive, so I spend a lot of time in the studio, but I don’t think that’s unordinary. BM: I have been reading about Joseph Beuys, he used a lot of animal imagery as well, are you into that dude? SV: Fuck yeah; my favorite piece of his is "I LIKE AMERICA AND AMERICA LIKES ME" 1974. BM: Aside from art world influences, what has helped to shape the way you look at the world and the things that you make as a result? SV: Outside. Mongolian Lamb Pillow Cover 2013 Oil, Acrylic, Ink, and Velum on Canvas 36 x 36 inches BM: I know you grew up in the valley. My only concept of what that means is “vals” from '80s movies, what is really up with the valley? SV: Everybody does time in the Valleyl BM: Last time we talked on the phone you were making crazy outer space sounding music while we chatted, did you ever play music? Is there a secret album in the works? SV: I make a lot of sounds. I don’t think anyone would confuse it with actual music. I don’t like music very much, so.... I don’t know BM: If you weren't making art what would you be doing with your life right now? SV: Gardener. The Gazer (R Prince) 2014 Oil, Acrylic, Ink and Vellum on Canvas 48 x 48 inches BM: You're a relatively new father, how has this affected your life? Is it the most awesome thing ever? SV: I love being a father. Its waaaaaay better than I thought it was going to be, and I thought it was going to be pretty awesome. BM: What artists are making work that inspires you? What has you excited about their stuff? SV: Daniel Richter, Yarisal and Kublitz, Cali Thornhill-DeWitt, Dana Schutz, Peter Doig, Childe Hassam, Jason Dill, Sam Falls, Chris Burden, Robert Irwin, Tom Fruin. Tactical Manuevers 2012 Oil, ACrylic, Velum and Ink on Canvas (122 cm x 122 cm) BM: What's up with the cat ranch? SV: My wife is an animal lover.... Therefore, we have a hard time expelling the dudes that hang around our backyard. BM: If sleep is the cousin of death what kind of relative is daydreaming? SV: Inbred flighty uncle? BM: Favorite breakfast? Favorite breakfast made out of candy? SV: IHOP - I think that answers both of your questions. Table Setting 2013 Oil, Acrylic, Ink, and Velum on Canvas 48 x 36 inches BM: Aside from making your paintings, collages, etc., you have some of your work fabricated, how does work you design and have a craftsman fabricate differ/ relate to the stuff that comes directly from your hand? SV: Sometimes the idea needs to be made by my hands; sometimes it needs to be made by someone else. BM: We talked about this recently as well, when we did the spiked bat and paint balloon show together at THIS it was a fun and totally innocent experience way different that a regular hang some art on the walls kind of show. Given the chance would you do something else like that? SV: I think my work has certain very commercial qualities, so I like the opportunity to make things that are not for sale. Things that are just to be experienced rather than owned. Status Update (Cop Texting) 2013 Oil, Acryic, Ink, and Velum on Canvas 48 x 48 inches BM: What happens, for you, when art becomes pretty much impossible to sell and transcends into more of an experience that can only be captured in photographs, video, and memories? SV: Sometimes that’s great other times it is very forgettable. BM: Biggest wish? Worst fear? Greatest expectation? Darkest Secret? In a fight, Frank Zappa w/ Captain Beefheart vs. Neil Young & Crazy Horse vs. Charles Manson w/ Dennis Wilson? How about Battle of the Bands? SV: The Grateful Dead. Interior Designs 2014 Oil, Acrylic, Ink, and Velum on Canvas 60 x 48 inches BM: If you were to wake up as a stuffed animal tomorrow (toy not taxidermy), what kind would you want to be? SV: My son has a stuffed donkey he loves; I would want to be a donkey dude. BM: If you had a radio show what would be your signature sign off? SV: Thanks for listening America; I can’t believe I have a radio show! Images Courtesy of Sage Vaughn. Discuss Sage Vaughn here. Discuss Bill Mcright here.

Openings: JR x New York City Ballet (Part I)

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Last week, AM attended the New York City Ballet (NYCB) to catch the premiere of the next exhibition in their artist series, this time featuring JR. The French "photograffeur" took the opportunity to transform the Lincoln Center with his imagery both inside and out. Utilizing numerous photo sessions with NYCB's dancers, JR was able to add a new wrinkle to the storied performance troupe's performances. First, JR wheatpasted the large glass front facade of the building with the graceful feet of the ballet. Once inside, an exhibition of his fine art photo transfers on wood were displayed consisting of dance compositions with the performers. Finally the upper lobby of the theater featured a giant eye installation formed with photos of members of the distinguished ballet troupe (we'll have a more detailed look at this next). Discuss JR here.

Overtime: Jan 27 – Feb 2

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More stories from the week that ended Feb 2 (click on bolded words for more information):
  • Roger Ballen's releases book based on photographs with Die Antwoord.
  • RIP Rene Ricard, who died of cancer.
  • Salzburg's Haus der Natur seeking to return natural-history artifacts looted by founder.
  • Cornelius Gurlitt signals readiness to discuss restitution of looted works. Task force assembly complete with the addition of thirteen experts.
  • Philippine government attempting to locate and seize over 150 paintings formerly owned by Imelda Marcos.
  • Ralph O. Esmerian's folk art collection sells for $13mil. at Sotheby's and will help pay creditors.
  • Market for French 18th-century furniture has virtually collapsed and some galleries have closed.
  • Russell Murphy/CASH4 arrested again in the East Village.
  • Brian Ramnarine pleaded guilty to three counts of wire fraud related to sale of fake Jasper Johns work.
  • Cleveland Museum of Art dismisses claims that its upcoming Van Gogh show includes eight fakes.
  • Fernando Botero escapes unhurt after fire damages his holiday home.
  • Andre Prinsloo and Ruhan Janse van Vuuren add miniature rabbit inside ear of Nelson Mandela statue.
  • Chicago has slowed spending on public art under Mayor Rahm Emanuel.
  • Banksy street works headed to auction. Story of woman who bought two Banksy originals from his NYC street booth.
  • An analysis of weather an artwork is really burnt if it fails to sell at public auction.
  • Floors are buckling again inside Milwaukee Art Museum.
  • Cairo Museum of Islamic Art to receive $100,000 from U.N. cultural agency to help museum recover from explosion.
  • Kat Eng sews in front of H&M Times Square in an act of solidarity with protesting Cambodian garment workers.
  • Šedá thinks Silicon Valley needs more artists to fall through the cracks for the sake of creativity.
  • LA art scene a reason why many in SF are moving to Southern California.
  • Dave Hickey's talk in Los Angeles disappoints Carolina Miranda.
  • President Obama disses art history majors in speech.
  • Proposed Senate bill seeks to impose government oversight of art auction houses for the first time.
  • Government in Lisbon is aiming to raise at least $50 million from sale of 85 Joan Miro works.
  • Kellogg Foundation pledges $40mil to protect Detroit pensions and DIA's art work. DIA pledges to raise $100 million over 20 years for art and Detroit pension rescue fund.
  • Tacoma Art Museum donating nine works of Chinese textile art to the Chinese Reconciliation Project Foundation
  • Cleveland Museum's eight year expansion and renovation project finished at $30mil. under expected cost.
  • Wildenstein family selling East 64th Street headquarters to the government of Qatar for over $90mil.
  • Friday night date night at the Met Museum with Jerry Saltz and Roberta Smith.
  • The Vatican's twitter account posts image of Mauro Pallota's SuperPope.
  • Delhi getting a street art festival known as St.Art.
  • Saatchi Online rebrands itself as Saatchi Art with new CEO.
  • A look at the Houston art scene.
  • Dallas versus Denver's art scene.
  • A look at the February art scene in London.
  • Ralph Rugoff announced as curator of the 2015 Biennale de Lyon.
  • Due to booming Asian art market, paintings which feature the color red are expected to rise in value, according to Sotheby's.
  • Bonham's upcoming contemporary sale to include work directly consigned by eight “carefully selected” young artists.
  • Letter written by Lucian Freud heads to auction.
  • A look at Carrie Mae Weems on occasion of her Guggenheim Museum show.
  • Christoper Knight and Ed Schad writes about the Four Abstract Classicists show at LACMA.
  • Ken Johnson reviews What Is a Photograph? at the I.C.P.
  • A look at John Miller's Bad Conscience group show at Metro Pictures.
  • A look at Tilman Hornig’s show Content is King! at Galerie Gebr. Lehmann.
  • Andrew Russeth reviews Jesse Greenberg's show at Derek Eller Gallery.
  • Oscar Murillo's show at The Mistake Room reviewed by KCRW.
  • Roberta Smith reviews Davina Semo's show at Marlborough Chelsea.
  • Thelma Golden to critique artists as part of Theaster Gates exhibit.
  • Keith Sonnier answers 24 Questions.
  • What Steve Powers, aka ESPO, has been up to.
  • Shirin Neshat honored at Davos World Economic Forum with a Crystal Award.
  • Martin Creed: What's the point of it? exhibition catalog includes torn paper piece with CoA.
  • Beck and Doug Aitken have a conversation.
  • LA Weekly checks out the fashions of LACMA visitors.

Streets: Waone (Interesni Kazki) in India

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Waone, a member of Interesni Kazki (interviewed) together with AEC, recently spent some time in the South India. Known for his love for travels and appreciating ancient cultures and traditions, the Ukrainian artist left an unusual mark in this remote part of the world. The mural he created is not as nearly as big or complex as the other walls we're used to seeing  from this duo, but the message behind it is very powerful. Titled Time For Change, this mural is strongly affected by the worrying situation in his homeland and his city of Kiev. The protests that started back in November 2013 are stronger than before, and the cold winter weather, combined with brutal ways that the government is dealing with protesters are bringing the situation on the verge of a boiling point - and this is what Waone wanted to show in this piece. The main image of the mural is a sand clock painted in colors of Ukranian flag - blue over yellow. With blue symbolizing chaos, and yellow symbolizing divine order, this image is suggesting it is nearly end of 18 year long unrest thats been taking place. Next to it is a stork holding a country flag, with its colors being reversed, symbolizing the free people of Ukraine, opposing the red & green serpent that is holding a police bat, obviously symbolizing the government forces. Creating this mural in such faraway place was Waone's way to get the world's attention to what is happening in his hometown and his homeland, behind the cameras of the mass media. Discuss Interesni Kazki here.

Streets: Invader (Hong Kong) – Part II

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After sharing some shots of the invasion of Hong Kong by tilemaster Invader last month, here are now some more documentation of his work in the streets for you to peruse. The French legend has now glued a total of 48 new pieces of his signature 8-bit imagery up in multiple locations, some in the most visible and busy spots in the Chinese metropolis. Take a look at more photos below culled from his Instagram. Discuss Invader here.

Studio Visits: STASH –“Cap Indicates Color” @ Sports Lab (Atmos)

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Stash graffiti Studio Visit AM 10

AM recently had the pleasure of visiting a legend in the New York Graffiti scene - STASH. Long known for his bold outlines and clean shapes, the bomber is in Tokyo for a fresh exhibition. Entitled Cap Indicates Color, the new series of works explores some of the iconic spray cap motif & splatter that he made popular in with his visual language. This show opens at ATMOS' Sports Lab Feb 9th at 7:30pm with the artist in attendance. It was a trip down memory lane for us as we caught some of his most iconic collaborations with the fashion and vinyl industry's biggest names. Not to mention, he has one of the most extensive collections of spray paint spanning over four decades. The show sets up an upcoming Los Angeles exhibition later this year with Known Gallery. Until then check out an inside look into Stash's laboratory.

Streets: Maya Hayuk – Bowery & Houston Mural

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Maya Hayuk Bowery Houston mural AM 05

While New Yorker's have been hunkering down with the recent cold spell, Maya Hayuk has been doing the opposite while working at the high profile corner of Bowery and Houston. Taking time to step back and analyze her work every now and then, the Brooklyn-based artist creates her vibrant patterns based on her ideas on color theory. The new mural will make a welcome distraction from the dreary winter for NYC art lovers. Stop by for a look yourself if you can, and make sure you take a look at what her drip technique did to the snow and ground at the base of the wall. Discuss Maya Hayuk here.

Overtime: Feb 3 – Feb 9

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Gift Horse by Hans Haacke will grace the fourth plinth in Trafalgar Square

More stories from the week that ended Feb 9 (click on bolded words for more information):
  • Trafalgar Square's fourth plinth to show Hans Haacke piece in '15 and David Shrigley's in '16.
  • The Museum Folkwang in Essen cancels Balthus show after critics complain of pedophilia concerns.
  • Tim Haries sentenced to six months in prison for defacing portrait of Queen Elizabeth II.
  • Petr Pavlensky explains why he nailed his scrotum to Red Square.
  • Marc Chagall painting purchased for £100k and determined to be fake could be incinerated in front of magistrate.
  • Court rules that officials must hand over titles & sizes of works in Cornelius Gurlitt’s art cache to German reporter.
  • Hitler's plans for the museum he would have built to house the Nazi's looted art collection.
  • 19 foot canvas by Pablo Picasso hanging at Four Seasons in NYC in danger of being evicted from hotel.
  • The difficulties with the Modigliani market.
  • Christie's cancels sale of 85 Miro paintings after uncertainty of whether Portugal could sell the works to buyers abroad. Portugal still plans to sell Miro paintings despite cancellation of Christie's sale due to legal dispute.
  • Judge in Perelman lawsuit against Gagosian dismisses five of six claims, while fraud claim goes forward.
  • Study refutes assertion that N.E.A. funds is “a wealth transfer from poorer to wealthier citizens.”
  • Consistent under-reporting by Chinese of value, volume & type of art shipments in inbound and outbound directions.
  • Ivan Karp's OK Harris gallery in Soho to close its doors.
  • André Schmitz, Berlin’s culture secretary resigns due to Swiss account tax dodging scandal.
  • Banksy's Girl With Balloon street piece to be removed from wall and sold. Kissing Coppers wall piece will be auctioned off as well in Miami.
  • Elizabeth Peyton leaves long-time gallery Gavin Brown for Gladstone, which had been selling her work in secondary market.
  • Adam Sender's hedge-fund firm Exis Capital to shut down following poor performance last year.
  • Due to first year controversy over the way winner was chosen, Hammer Museum changes Made in L.A. biennial awards.
  • Ann Arbor City Council debates on whether the city should spend $448k on sewage-themed public art.
  • Moby's reasons for artists and others to move out of NYC and to LA or other cities.
  • Low performing Eliot Middle School in Pasadena transforming itself into an arts magnet, informally renaming it Eliot Art.
  • Group of female artists and art history majors film themselves at Columbia University’s Butler Library.
  • MOCA's new director, Philippe Vergne, will likely start work in early March, according to museum.
  • Ezrha Jean Black discusses Dave Hickey's talk at Grand Central Market.
  • The Hollywood Reporter writes about Art Los Angeles Contemporary art fair. Art Forum visits Los Angeles fairs and social scene, and also Paramount Ranch.
  • Records for works by Camille Pissarro, Pierre Bonnard, and Pablo Picasso broken at Sotheby's London.
  • Juan Gris's Nature Morte a la Nappe a Carreaux sells for £34.8 million (a record for the artist) at Christie's.
  • Phillips to sell photographs from the collection of the Art Institute of Chicago at its NYC and London locations.
  • Status report of online art sellers Artspace, Artsy, and Paddle8.
  • Presidio Trust rejects all three museum proposals, including Lucas Cultural Arts Museum. It then offers George Lucas another spot for his proposed museum.
  • Corcoran to receive half of proceeds from sale of Monet Water Lillies painting, if result is in excess of $25 million.
  • George Bellows painting sold by Randolph College is first major American painting to enter National Gallery’s collection.
  • Getty Museum revealed as buyer of $4mil. Seurat drawing from the personal collection of Jan Krugier.
  • Cooper-Hewitt museum receives $10mil. gift for renovation.
  • The Workers plan to use their digital prize winnings to let loose remote-controlled robots in Tate at night.
  • DC's Franklin School to be converted into kunsthalle.
  • Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities.
  • A "insider" guide to the art scene in Los Angeles.
  • KAWS takes a look at some of the graffiti works in Martin Wong's collection and talks about his own experiences.
  • Shepard Fairey discusses printmaking, his artwork, and his future happenings.
  • Matthew Barney and Gaspar Noé converse and discuss film-making and River of Fundament.
  • Paula Crown and Mills Moran have a conversation about the Dallas scene and OHWOW and her artwork.
  • 24 Questions for David Altmejd.
  • A quick guide to post-minimalism.
  • Joseph Henrikson of Anonymous Gallery talks about Mexico City, Pryce Lee, and Still House.
  • Jason Jaworski has a new zine series called MOIS, where he's making monthly books/zines focused on different cities.
  • Etienne Lavie steals ads from the posters and billboards of Paris and replaces them with images of famous paintings.
  • Serpentine Galleries releases a new limited edition sculpture by Olafur Eliasson.
  • Drake takes a bunch of photos at Turrell exhibition at LACMA.
  • Harry Styles buys 20 works by Hayden Kays.
  • Artwork by Matthew Modine and Tony Bennett among pieces donated for 2014 Tribeca Film Festival winners.

POW! WOW! ’14 / Streets: Roid x Insa (Part I)

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British artists Roid and Insa are part of "team England" at this year's Pow! Wow! Hawaii,  working on an impressive and unusual collaboration. The two are creating another piece in Insa's ongoing series of moving GIF-ITI's, which features the interesting concept of creating street art that comes to life when put online in the form of animated gif. Taking full advantage of the strong connection between street art and internet, gif-iti's are literally giving a new dimension to flat and static graffiti works. AM spent some time with the artists, watching them create four different frames of this impressive piece in the hot Hawaiian sun, so check out these process photos until we all wait for the reveal of the completed animated GIF. Also, make sure you check out the limited edition prints both artist released through 1xRun for their POW! WOW! 2104 Featured Artists Series. Discuss POW! WOW! Hawaii here. Discuss Roid here. Discuss Insa here.

POW! WOW! ’14 / Streets: 123Klan

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Graffiti couple 123Klan recently finished their mural for this years edition of the POW! WOW! Hawaii festival. This was not their only way of participating in the event, as Montreal-based artists, Klor & Scien, also took part in Seventh Letter x RVCA group show (covered), released limited edition prints with 1xRun (previewed), and designed some of the official merchandise of the event. Known for their super sharp, very tech looking style, and use of their graphic design elements in their graffiti work, the duo created this strong wild style piece using very limited but super effective color palette. The final piece contains two main parts created by each of the two, with a UFO Robot Grendizer showing the famous "shaka" gesture, as a nod to Hawaiian culture and lifestyle. Discuss POW! WOW! here. Discuss 123Klan here.
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